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The Art of Self-Assembly: the Self-Assemby of Art

Authors: Harold Cohen

Published in: Dagstuhl Seminar Proceedings, Volume 9291, Computational Creativity: An Interdisciplinary Approach (2009)

Abstract

AARON is a semi-autonomous art-making program that has been under continuous development for nearly forty years. This paper discusses the origins and development of two critical features in it's most version; a coloring algorithm and an algorithmic shape generator. It concludes that for the foreseeable future, "computational creativity" does not so much describe the creative capabilities of a computer program as the nature of the collaborative relationship between program and programmer.

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Harold Cohen. The Art of Self-Assembly: the Self-Assemby of Art. In Computational Creativity: An Interdisciplinary Approach. Dagstuhl Seminar Proceedings, Volume 9291, Schloss Dagstuhl – Leibniz-Zentrum für Informatik (2009)

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@InProceedings{cohen:DagSemProc.09291.31,
  author =	{Cohen, Harold},
  title =	{{The Art of Self-Assembly: the Self-Assemby of Art}},
  booktitle =	{Computational Creativity: An Interdisciplinary Approach},
  series =	{Dagstuhl Seminar Proceedings (DagSemProc)},
  ISSN =	{1862-4405},
  year =	{2009},
  volume =	{9291},
  editor =	{Margaret Boden and Mark D'Inverno and Jon McCormack},
  publisher =	{Schloss Dagstuhl -- Leibniz-Zentrum f{\"u}r Informatik},
  address =	{Dagstuhl, Germany},
  URL =		{https://drops-dev.dagstuhl.de/entities/document/10.4230/DagSemProc.09291.31},
  URN =		{urn:nbn:de:0030-drops-22023},
  doi =		{10.4230/DagSemProc.09291.31},
  annote =	{Keywords: Computational creativity}
}

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The Art of Self-Assembly: the Self-Assemby of Art

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